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Showing posts with label Jewish writing. Show all posts
Showing posts with label Jewish writing. Show all posts

Thursday, 20 August 2015

Why kill a man when you can kill an idea?

By Elle Kaye
Winner of the Australian Jewish News 2015 Writing Competition

Award winning series Homeland and Prisoners of War
To coincide with the Australian visit of Emmy-award winning Israeli writer/director Gideon Raff, creator of Prisoners of War, the Israeli television show that led to US blockbuster series Homeland, we asked readers to submit a short story, poem or screenplay that starts with the line "Why kill a man when you can kill an idea?", a quote from Homeland. 

The graffiti stared at her. Bright, dripping yellow on the grey tunnel wall, illuminated haphazardly by a flashing, fluorescent light. She tried to imagine what would possess someone to risk their life to write such a thing. Tried to ignore that gnawing sensation that told her that she was meant to see it. Today. Now. Urgently.

This wasn’t the train she had meant to catch home. She was early. Classes had been cancelled in advance of the exam period starting the following week. But here she was. Stopped. Blinking in time with a fluorescent light and a spray of graffiti.

She imagined the anonymous author. An utter cliché, baggy jeans, skateboard, backpack full of spray-paint canisters. And as she imagined him there she shouted to him: “Hey! Does it even matter which you kill? It’s not the answer that matters. It’s the question itself. Asking yourself the question matters. Thinking is what matters. Intention matters.” And as her monologue played out in her imagination and as her eyes scanned the text again, the bag on her lap began to feel heavy.

She had never had access to her papers before. But today she had had to reapply for the next year at university. On the previous two occasions she had been escorted. But because she had been such a good girl for the past two years, because she had returned home daily, because she continued to tow the line, she was allowed to have her papers for today only. She had stood passively as she watched the safe being unlocked and her papers retrieved. She had promised faithfully to return them.

Every day she returned to her community was another day she risked being married off. She knew how it would be. Knew that the marriage would happen without her knowledge. Knew that she would be woken one morning and married before the sun had fully risen.

Being different was not a good thing in her community. Unless, of course, you could be useful. And so, improbably, she was given the opportunity only a handful of women had been given before, a degree at university. And because of her obvious aptitude for numbers, stellar lineage, her quiet demeanour and outward piety, she was not seen as a flight risk.

She would have liked more time. But as the train continued to stand still and as the light continued to flicker against the yellow graffiti, she knew she needed to act.

She got off the train. She walked into the first bank she saw. She opened a bank account with her papers and two cheques she had received only that day. She had won two prizes this year. $6750 all up. Not enough to live off. If it were only for the cheques, she never would have had the courage to leave. It was actually having work prospects that did it. The other piece of paper weighing down her canvas bag. A job offer. Full-time over the summer then part-time when university returned. Mentorship. Even rental assistance.


She thought of the question again as she walked out of the bank into the glaring sunlight. She laughed aloud as she thought of the irony of her choices. She hadn’t killed a man or an idea. She had killed herself  … by giving herself a new life. Back home, she would be mourned as if dead. Excommunicated forever. And she knew that there would be a deep and heavy sadness to reckon with. But for now, all she felt, was free.

Gideon Raff is a guest presenter at the 2015 Sydney Jewish Writers Festival
Gideon Raff will be speaking at the opening night of the Sydney Jewish Writers Festival on Saturday 29 August from 8:30pm - 10pm, I love a complex country: Views on Israel with Dvir Abramovich, Jennifer Teege and Debbie Whitmont. 

He will also be speaking on Sunday 30 August from 3:15pm - 4:15pm, TV espionage: In Conversation with the creator of Homeland, Prisoners of War & Dig, Gideon Raff with Michaela Kalowski. 

To see the full program and buy tickets: www.sjwf.org.au 



Tuesday, 26 August 2014

Festival wrap up and writing competition winner

We are excited to have hosted another successful Sydney Jewish Writers Festival. We hope you enjoyed it as much as we did. The range of outstanding presenters, the diversity of subjects and the thought provoking ideas all combined to make it a wonderful Festival with over 500 people attending over 3 days. We have put many photos on our Facebook page and encourage you to tag yourself. 

Thanks to all our amazing presenters and volunteers, we couldn't have done it without you. 

We wanted to post the outstanding winning entry for this year's Australian Jewish News writing competition:

KIBBUTZ MOTHER
By Elle Kaye

Typical Kibbutz
She was pregnant again. It had taken her time to work it out but now she knew. It had been five years since the last pregnancy and she thought she was done. She placed her hand protectively on the tiny bump that she only now acknowledged for what itwas. A girl. She could tell.

She vacillated between joy and dread as she contemplated the being inside her. She allowed herself to close her eyes and fantasise about this one. About holding her. Kissing her all over her soft, downy head. Smelling her. Breathing her in. comforting her. Brushing away her tears. Smiling at her. Singing to her. Rocking her. And then she opened her eyes. Enough silliness, she scolded herself.

Children at Kibbutz
When she had left her family for the Kibbutz she didn’t think about children. In the early days, she didn’t think she wanted any. She watched the other women grow fat with their children and she judged them and their supposed sickness, their supposed fatigue. Any excuse not to work, she had scoffed. She judged them their weakness and tears – of course the children should be raised collectively. What did they think this was? Summer camp? She judged them their tears and their milk stained clothes and their softness. This was no place for softness.

When she had the first one she tried, and succeeded, to remain as distant as possible. When they discouraged her from breastfeeding too often, she agreed. It would only spoil the child.
When they recommended against visiting during the workday,
she blushed with embarrassment. Of course she mustn’t coddle
her. So she determined to set an example. She kept away. She
weaned her as soon as possible. Understanding the other
mothers now, she only judged them more harshly. When they spoke of their grief, of their need to be with their babies, she tut-tutted and continued with her work. But the ache. The ache within her. That parasitic ache for her child. She ignored it. She would conquer it.

She spent the required hour a day with the baby. The smell as she walked up the path towards the room made her sick. Chicken soup. Every day, at this hour, the children were fed chicken soup. She would be handed a yellow or orange bowl of mushed chicken and vegetables. She would spoon the mush into her wary daughter’s mouth. She watched in judgment as the other mothers smiled and cooed at their children. She held her head
high as the woman in charge of the babies praised her for
treating her daughter like an adult. For refusing to talk gibberish at her. She was assured that her daughter would grow up to be a useful member of the collective. She nodded. Smiled tightly. That
was the aim after all. The mission. Wasn’t it?

The second child was male. And she was told to be even tougher
with him. But her resolve crumbled like the quiver of her lips as
she had to hand him over too. She ran into the thorn fields and
allowed herself to sob then. And then, she returned to work. And
told her man there would be no more.

But this time. This baby. This baby she did not want to let go.
She felt like a petulant toddler. She wanted to stamp her foot. To
holler and scream and hit the floor with her fists, her head.
Image: bajasfamilyrestaurant
Wanted someone to listen to her. But what would she say? What did she know? She was just ignorant. Corrupted by the bourgeoisie values of the family she left.

It was time to visit the children. She walked down the path and smelled the familiar sickening smell. She knew her nausea had nothing to do with her pregnancy. She fed them. Gave them the perfunctory kiss that was expected. She stood and left. 
The fragrance of the chicken soup lingered as she shut the door behind her.

Friday, 24 August 2012

Oh the places You'll Go!

"Who would have thought the ‘seminal event’ in my Jewish life would take place over a plate of papaya salad and sticky rice on a stinky street in South East Asia?
I’d grown up on Sydney’s northern beaches and felt completely disconnected from my European heritage. I remember watching my first episode of Seinfeld and telling my best friend that I thought I might be Jewish … she laughed and told me that unless I went to the synagogue, I wasn’t Jewish. But years later, when I was working as a foreign correspondent in Bangkok, I was introduced to an Israeli by the name of Guy Sharett. I can honestly say that the minute he spoke I felt as if I’d met my long-lost brother. He was hilarious and honest and understood me better than many of my friends back home. I felt like I’d found one of my ‘tribe’."

Read Ange's story on what it means to be Jewish: http://angetakats.blogspot.com.au/2012/08/jutta-and-me.html

Ange Takats - http://www.encounters.edu.au/SJWF/Presenters/Ange-Takats

"This weekend I’ll be participating at the Sydney Jewish Writers’ Festival. One of the sessions I’ll be taking part in is called ‘Stranger in a new land’. It has caused me to reflect on my Jewish heritage … and think about my grandmother who died eight years ago. I wouldn’t be taking part in the festival if it weren’t for Jutta and her brave journey to a far away land ... and her passion for travel which inspired me to leave my homeland for Thailand ... where I met an Israeli called Guy Sharett who declared one humid Bangkok day ... “Darling, you are Jewish!”
 
Ange will also be sharing her adventures during Oh the places you'll go
along with Tony Kevin. They travelled through Spain, Portugal and Thailand and will be talking about the astonishing people and places they encountered.
 
This session will include a tribute to Carolyn Shine, author of Single White Female in Hanoi, who was supposed to be part of the SJWF program but tragically passed away earlier this year.


Opening Night / Saturday 25 August takes place at the Law Theatre in the Law Building at the University of NSW. 

The program on Sunday 26th, Monday 27th and Tuesday 28th August takes place at the Eric Caspary Learning Centre, Shalom College, at the University of NSW.

For more information, see Venue.

Click for a downloadable version of the program.

N.B. Program is subject to change.

Friday, 17 August 2012

CHUTZPAH QUESTIONS FOR DANNY KATZ

Danny Katz made us laugh at loud when he answered our 3 Chutzpah Questions:

Image: http://www.booktopia.com.au/sydney-jewish-writers-festival/promo76.html

1. How does your writing reflect your Jewish identity?

I don't think it does. I try not to make my writing too Jewishy, I just want to be a regular writer, but then I thought, does it? Hmmm, it kind of does but it also doesn't, and the more I write this answer I¹m realising that, maybe it does. Do you think it does? Look, if it does, it does, if it doesn't it doesn't, does that answer your question?

2. Has there been a seminal event in your Jewish life that has shaped the
person you are today?


First day of Sunday school. Eight years old. Bible quiz. I didn't know a thing about anything but every other kid knew about everything.  I said one of the ten plagues of Egypt was sheep. They laughed at me, THEY LAUGHED. It was traumatic and from then on, I pretended I was violently sick every Sunday morning so I didn't have to go. I am still uncomfortable around eight year old Jewish kids, they are very intimidating.  I am also still violently sick on Sunday mornings.

3. Ma nishtanah? (aka why is your book different from any other book?)

My book is different from any other book because it is for teenagers and it's
about high school life and it is called SCUM. I don't think there are any other books for teenagers about high school life called SCUM, not written by me anyway. 
Also, this book is so funny and honest and entertaining, it
will make the most reluctant teenage reader suddenly want to start reading, and then they will not be able to stop reading, and they will forget about Facebook and texting and just spend all their spare moments reading for the
rest of their lives. 
This is my money-back guarantee.


Danny Katz's book for teens is available on the Booktopia website and he'll be at the festival discussing books for kids and how to encourage a lifetime of reading along with Anna Feinberg and Suzy Zail at What are your kids Reading? -  http://www.encounters.edu.au/SJWF/Program/Sunday-1-15-2-15pm

He will also be discussing Jewish humour and the art of telling jokes at Have you heard the One About? ... -  http://www.encounters.edu.au/SJWF/Program/Sunday-5-00-6-00pm

Danny Katz is a Canadian-born, Jewish Australian columnist and author who writes for The Age and the Sydney Morning Herald. His columnn is also syndicated in The West Australian. He is the Modern Guru in the Good Weekend magazine.
http://www.theage.com.au/opinion/by/danny-katz